Using Latent Timbral Space To Communicate With The Dead

Research Paper (2022)

Recently I wrote a paper for the Wet Ink Archive that tackles two different subjects: software containerization, and generative AI models. This paper discusses the critical ways in which these two pillars of the modern cyberspace affect the experimental musician's role in a much larger world historical sense. Through a literal dense layer of sources and ideas, the paper is an attempt at generating a possible respite from the historical feedback loop of musical aesthetic. What comes as a result is something called the sinthomatic process.

You can read the full paper at